Coverart for item
The Resource 100 ideas that changed art, Michael Bird

100 ideas that changed art, Michael Bird

Label
100 ideas that changed art
Title
100 ideas that changed art
Statement of responsibility
Michael Bird
Title variation
  • Art
  • Hundred ideas that changed art
  • Ideas that changed art
  • One hundred ideas that changed art
Creator
Contributor
Author
Distributor
Subject
Genre
Language
eng
Summary
  • From the earliest cave paintings through to the internet and street art, this inspiring book chronicles the 100 most influential ideas that have shaped the world of art. Arranged in broadly chronological order, it provides a source of inspiration and a fascinating resource for the general reader to dip into. Lavishly illustrated with historical masterpieces and packed with fascinating contemporary examples, this is an inspirational and wholly original guide to understanding the forces that have shaped world art
  • From the earliest cave paintings through to the internet and street art, this inspiring book chronicles the 100 most influential ideas that have shaped the world of art
Cataloging source
CaBNVSL
http://library.link/vocab/creatorDate
1958-
http://library.link/vocab/creatorName
Bird, Michael
Dewey number
709
Illustrations
illustrations
Index
no index present
LC call number
N5300
LC item number
.B645 2012eb
Literary form
non fiction
Nature of contents
dictionaries
http://library.link/vocab/relatedWorkOrContributorName
Credo Reference (Firm)
http://library.link/vocab/subjectName
Art
Label
100 ideas that changed art, Michael Bird
Link
http://search.credoreference.com/content/title/lkingaijn
Instantiates
Publication
Carrier category
online resource
Carrier MARC source
rdacarrier
Color
multicolored
Content category
  • text
  • still image
Content type MARC source
  • rdacontent
  • rdacontent
Contents
  • Introduction -- No. 1. Cave and rock art -- No. 2. Fired clay -- No. 3. Land as material -- No. 4. Statue -- No. 5. Wall painting -- No. 6. Scaling up -- No. 7. Narrative -- No. 8. Relief carving -- No. 9 .Body as surface -- No. 10. The nude -- No. 11. Contrapposto -- No. 12. Propaganda -- No. 13. Lost-wax casting -- No. 14. Paper -- No. 15. Memorial -- No. 16. Architectural sculpture -- No. 17. Word as image -- No. 18. Colored glass -- No. 19. Frame -- No. 20. Icon -- No. 21. Making books -- No. 22. The grotesque -- No. 23. Erotic art -- No. 24. Handwriting -- No. 25. Mosaic -- No. 26. Multipanel painting -- No. 27. Miniatures -- No. 28. Oil paint -- No. 29. Window on the world -- No. 30. Mathematics -- No. 31. Linear perspective -- No. 32. Trompe-l'oeil -- No. 33. Color codes -- No. 34. Allegory -- No. 35. Portrait -- No. 36. The sketch -- No. 37. Mirrors -- No. 38. Printmaking -- No. 39. Chiaroscuro -- No. 40. Anatomy -- No. 41. Still life -- No. 42. Copying -- No. 43. Canvas -- No. 44. Camera obscura -- No. 45. Reinventing Greek art -- No. 46. Landscape -- No. 47. Series -- No. 48. Collections -- No. 49. History painting -- No. 50. Whiteness -- No. 51. Academies -- No. 52. Romanticism -- No. 53. Authenticity -- No. 54. The artist -- No. 55. Watercolor -- No. 56. Confronting reality -- No. 57. Medievalism -- No. 58. Dealing -- No. 59. Capturing the instant --
  • No. 60. Assemblage -- No. 61. Commercial design -- No. 62. Paint in tubes -- No. 63. Photography -- No. 64. Art colonies -- No. 65. Artificial light -- No. 66. The unconscious -- No. 67. The primitive -- No. 68. Multiple viewpoints -- No. 69. Collage -- No. 70. Machine forms -- No. 71. Abstract art -- No. 72. Satire -- No. 73. Found objects -- No. 74. Kinetic art -- No. 75. Scenes of daily life -- No. 76. Installation -- No. 77. Expressing inner states -- No. 78. Plastics -- No. 79. Protest -- No. 80. Documentary -- No. 81. Chance -- No. 82. Shock -- No. 83. Welding -- No. 84. Pop -- No. 85. Less is more -- No. 86. Opticality -- No. 87. Hallucinogens -- No. 88. Performance art -- No. 89. Personal is political -- No. 90. Moving images -- No. 91. Conceptual art -- No. 92. Titles -- No. 93. Body as medium -- No. 94. Street art -- No. 95. Globalization -- No. 96. Digital technology -- No. 97. Museum -- No. 98. Negative space -- No. 99. The internet -- No. 100. Ephemerality -- Glossary -- Acknowledgments
Control code
9781785392030
Dimensions
digital files.
Dimensions
unknown
Edition
Enhanced Credo edition
Extent
1 online resource (105 entries)
Form of item
online
Governing access note
Access restricted to authorized users and institutions
Isbn
9781785392030
Media category
electronic
Media MARC source
isbdmedia
Other physical details
images
Specific material designation
remote
System control number
  • (CaBNVSL)gtp00563575
  • (Credo)lkingaijn2012
  • (OCoLC)919317700
System details
Mode of access: World Wide Web
Label
100 ideas that changed art, Michael Bird
Link
http://search.credoreference.com/content/title/lkingaijn
Publication
Carrier category
online resource
Carrier MARC source
rdacarrier
Color
multicolored
Content category
  • text
  • still image
Content type MARC source
  • rdacontent
  • rdacontent
Contents
  • Introduction -- No. 1. Cave and rock art -- No. 2. Fired clay -- No. 3. Land as material -- No. 4. Statue -- No. 5. Wall painting -- No. 6. Scaling up -- No. 7. Narrative -- No. 8. Relief carving -- No. 9 .Body as surface -- No. 10. The nude -- No. 11. Contrapposto -- No. 12. Propaganda -- No. 13. Lost-wax casting -- No. 14. Paper -- No. 15. Memorial -- No. 16. Architectural sculpture -- No. 17. Word as image -- No. 18. Colored glass -- No. 19. Frame -- No. 20. Icon -- No. 21. Making books -- No. 22. The grotesque -- No. 23. Erotic art -- No. 24. Handwriting -- No. 25. Mosaic -- No. 26. Multipanel painting -- No. 27. Miniatures -- No. 28. Oil paint -- No. 29. Window on the world -- No. 30. Mathematics -- No. 31. Linear perspective -- No. 32. Trompe-l'oeil -- No. 33. Color codes -- No. 34. Allegory -- No. 35. Portrait -- No. 36. The sketch -- No. 37. Mirrors -- No. 38. Printmaking -- No. 39. Chiaroscuro -- No. 40. Anatomy -- No. 41. Still life -- No. 42. Copying -- No. 43. Canvas -- No. 44. Camera obscura -- No. 45. Reinventing Greek art -- No. 46. Landscape -- No. 47. Series -- No. 48. Collections -- No. 49. History painting -- No. 50. Whiteness -- No. 51. Academies -- No. 52. Romanticism -- No. 53. Authenticity -- No. 54. The artist -- No. 55. Watercolor -- No. 56. Confronting reality -- No. 57. Medievalism -- No. 58. Dealing -- No. 59. Capturing the instant --
  • No. 60. Assemblage -- No. 61. Commercial design -- No. 62. Paint in tubes -- No. 63. Photography -- No. 64. Art colonies -- No. 65. Artificial light -- No. 66. The unconscious -- No. 67. The primitive -- No. 68. Multiple viewpoints -- No. 69. Collage -- No. 70. Machine forms -- No. 71. Abstract art -- No. 72. Satire -- No. 73. Found objects -- No. 74. Kinetic art -- No. 75. Scenes of daily life -- No. 76. Installation -- No. 77. Expressing inner states -- No. 78. Plastics -- No. 79. Protest -- No. 80. Documentary -- No. 81. Chance -- No. 82. Shock -- No. 83. Welding -- No. 84. Pop -- No. 85. Less is more -- No. 86. Opticality -- No. 87. Hallucinogens -- No. 88. Performance art -- No. 89. Personal is political -- No. 90. Moving images -- No. 91. Conceptual art -- No. 92. Titles -- No. 93. Body as medium -- No. 94. Street art -- No. 95. Globalization -- No. 96. Digital technology -- No. 97. Museum -- No. 98. Negative space -- No. 99. The internet -- No. 100. Ephemerality -- Glossary -- Acknowledgments
Control code
9781785392030
Dimensions
digital files.
Dimensions
unknown
Edition
Enhanced Credo edition
Extent
1 online resource (105 entries)
Form of item
online
Governing access note
Access restricted to authorized users and institutions
Isbn
9781785392030
Media category
electronic
Media MARC source
isbdmedia
Other physical details
images
Specific material designation
remote
System control number
  • (CaBNVSL)gtp00563575
  • (Credo)lkingaijn2012
  • (OCoLC)919317700
System details
Mode of access: World Wide Web

Library Locations

    • Bryn Athyn College, Swedenborg LibraryBorrow it
      2925 College Drive, Bryn Athyn, PA, 19009, US
      40.1343319 -75.0607419
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